On the warpath
French government spokesman Luc Chatel is “profoundly shocked.”
Justice minister Michèle Alliot-Marie wanted to prosecute, but found that the law didn’t allow this; Alliot-Marie now is “looking into how we could legally fill this void.”
Interior Minister Brice Hortefeux described what had happened as “unacceptable outrage”, and added that “no one can accept that free expression be deviated without regard for the emblem of our country.”
Flag desecration has made news in France.
Here’s what happened. In Nice, on the French Riviera, a store (that sells books and recorded music, and that probably wanted to boost foot traffic) held a photo contest. A photo (showing a person wiping his behind with a French flag) won an award for political incorrectness. A newspaper reported on the prize. Some people got upset. State prosecutor Eric de Montgolfier dismissed a criminal complaint because the law has an exception for creative work.
I remember when flag burning had been a hot issue in American politics. Usually temperate voices went so far as to call for a constitutional amendment to criminalize the practice. Of course, flag burning had been a marginal practice then, and is basically unheard-of today.
I expect the same will happen in France, even if freedom of expression is less deeply rooted in France than in the USA.
What disappoints me in the French case is less the anger voiced by politicians than the artistic poverty of the incriminated photo.
From press reports, the photographer’s identity seems to be a closely guarded secret; I couldn’t find it. Who are we dealing with: an artist who wants to make a statement, or an adolescent out to get a rise from conventional elders?
Likewise, press reports that defended the photo claim, as I read them, that the work had been taken out of context. Isn’t that saying that the photo was only one entry in a freak-show lineup of images intended to shock only for the sake of shocking? If the work is intended to make a statement, why would context matter?